EVERYDAY
This song
was the “B” side of “Peggy Sue,” the 1957 hit by Buddy Holly. As a kid I bought
the single 45 RPM record. Both sides were great but I’ve always liked
“Everyday” with it’s lilting melody and one-of-a-kind bridge. I was tickled
when I found I could play it as an instrumental.
FALLING
SLOWLY
From the
2007 Irish film “Once,” this song won the Oscar for “Best Original Song in a
Movie.” I couldn’t get it out of my head so I had to learn to play it. I hope
Glen Hansard and Marketa Irglova (the composers) would like this version.
MR.
GIBSON
A swing
excursion inspired by the J-45. Mark Turnbull (a great jazz guitarist and life
long friend) once heard it at a gig and asked me who had written it. I took it
as a compliment that he didn’t know it was my composition.
LA
LLORONA
When I was
in High School (1960-62) and going to every coffeehouse/folk club I could find,
I used to hear this song a lot, sung in Spanish. Some years later another good
friend, Tom Newbill, who could speak fluid Spanish, wrote out the lyrics
phonetically for me. Although I didn’t have a clue what the lyrics meant, I enjoyed
singing its classic, soulful melody. In 2002 it landed in the movie ”Frida,”
the biography of Frida Kahlo, the Mexican painter. The title means “The Weeping
Woman.”
SLOOP
JOHN B
Another
traditional song, covered by many musicians including: Joseph Spence, Dick
Dale, Me First & the Gimme-Gimme’s, the Kingston Trio and the Beach Boys. I
aimed at a tropical feel with a bit of ocean breeze in it.
BILOXI
A lovely
melody with an equally lovely lyric written by Jesse Winchester. His first
album (1970) was so killer I learned to sing all the songs on it. “Biloxi”
always stayed in the back of my mind. I had to play it one more time.
WORRIED
MAN
“I’m
worried now, but I won’t be worried long.” This song has been recorded by everybody from the Carter Family to Devo.
It’s been a part of my personal soundtrack, forever. It worked out nicely in
drop-D tuning (actually drop-C for me).
BEAUTY
AND THE BEAST
From the
1991 Disney movie, this has become my wife and my theme song (I can’t imagine
why). A very romantic melody…for Sarah.
PLAID
A bit of
mixolydian blues, a vehicle for pushing those 12 bars around, one more time.
THE
STREETS OF LAREDO
Another
great traditional song, covered by Pete Seeger, Johnny Cash, Joan Baez, Marty
Robbins and many others. I’ll often play the V chord with its b7 for the bass
note. This kinda stretches the harmony to my liking and it’s easy to play.
POOR
WAYFARING STRANGER
This stuck
to my brain the first time I heard it. A very strong and soulful melody sung by
everybody from Bill Monroe to Jack White. I think I learned it from the
progressive folky Bob Gibson. Drop-D provided a nice drone with the minor key
changes on top.
NAIMA
John Coltrane
wrote this in 1959, while I was busy singing doo-wop songs.This seemingly
simple song has very sophisticated changes under a hauntingly wonderful melody.
There is nothing like it. Tuning the fifth string up a whole tone gave me the
pedal bass note for the bridge. I believe Naima was Coltranes’ wifes’ name.
SAVE THE
LAST DANCE FOR ME
The
Drifters…what can I say? I have sung many of their songs over the years. This 1960
melody worked out nicely as an instrumental. Also I got to use some of those
tiny little frets up towards the soundhole.
SURFER
GIRL
My wife and
I played this as a request at a friends’ wedding and, again, I couldn’t sleep
until I had worked it up as an instrumental. 1963…Brian Wilson…what a romantic
composer.
Any
questions about tunings and such, please e-mail me. Also “reviews” of SOLO
GUITAR (or any of the CDs available) are invited.